Brasil Guitar Duo, a 2006 winner of the Concert Artists Guild International Competition, and hailed by Classical Guitar magazine for its “maturity of musicianship and technical virtuosity,” is equally at home on a classical or a world-music series. Its innovative programming features a seamless blend of traditional and Brazilian works, resulting in a full global touring schedule and a growing catalogue of critically acclaimed recordings. The Duo has appeared internationally on major concert series and at festivals in Cuba, Germany, England, Canada, South Korea, Colombia, Brazil, Austria, Panama, Poland, and Bermuda. Recent and current U.S. engagements include recitals at venues in New York, Miami, Houston, Dallas/Fort Worth, St. Louis, Tucson, Seattle, Santa Barbara, San Luis Obispo, Nashville, San Jose, and Oakland.
Committed to performing new chamber music employing the guitar, the Duo joined cellists Yo-Yo Ma and Carlos Prieto for the October 2014 world premiere of El arco y la lira, a work for two cellos and two guitars by the esteemed Cuban composer Leo Brouwer. On the same program—a highlight of the sixth annual Festival Leo Brouwer in Havana—the Duo gave the Cuban premiere of Brouwer’s Sonata de Los Viajeros, which they had presented in its U.S. premiere the previous month and recorded for a Naxos CD of Brouwer’s complete works for two guitars, which was nominated for a 2016 Latin Grammy award for Best New Composition.
Eager advocates for both traditional and new concerti for two guitars and orchestra, the Duo premiered a Concerto for Two Guitars and Orchestra by Brazilian composer Paulo Bellinati with the São Paulo Symphony Orchestra in June 2012, under the direction of Giancarlo Guerrero, and gave the work its U.S. premiere in April 2013. In February 2016, they recorded the Bellinati concerto along with Duo Guitar Concertos of Leo Brouwer and Brazilian composer Egberto Gismonti with the Delaware Symphony Orchestra and conductor David Amado, which is due for release in April 2018. Other career concerto highlights include the Dallas Symphony, Houston Symphony, Dayton Philharmonic, Lancaster (OH) Symphony and the Philharmonic Orchestra of the Americas in New York City.
Very active in the recording studio, the Duo’s latest release is Ghosting, (CAG Records; July 2017), featuring their unique mixture of both classical and Brazilian music, including their own compositions and the title track written for them by guitar master David Leisner. This recording is very similar in spirit to the Duo’s first CAG Records CD, Bom Partido (2007), featuring all Brazilian repertoire that prompted Classical Guitar to write: “The maturity of musicianship and technical virtuosity displayed on this debut recording by João Luiz and Douglas Lora is simply outstanding…The original compositions by Lora comfortably stand alongside the ‘big names’ on the rest of the programme and are well crafted and very appealing.” Next came two critically acclaimed CDs containing the complete works for two guitars by Mario Castelnuovo-Tedesco, released by Naxos in 2008-09. The Duo has also won praise for its recent CD (Avie) in collaboration with flutist Marina Piccinini featuring all of J.S. Bach’s flute sonatas, as arranged by the Duo for flute and two guitars.
Brasil Guitar Duo actively strives to expand the repertoire for two guitars, with Lora contributing works of his own and Luiz arranging both classical and Brazilian music. Appearing frequently in diverse non-traditional spaces, the Duo combines a broad repertoire of classical guitar duos (Bach, Sor, Scarlatti, Rameau, Debussy, etc.) with such traditional Brazilian dance forms as choro, samba, maxixe, and baião.
Duo members João Luiz and Douglas Lora met in São Paulo as teenage guitar students and have been performing together for twenty years. The Duo’s principal teacher was Henrique Pinto, and they also worked privately with Fabio Zanon, Paulo Martelli, Sergio Abreu, and Alice Artzt. Douglas Lora earned his Master’s degree from the University of Miami’s Frost School of Music as a student of Dr. Rene Gonzalez. João Luiz received his Master’s degree from Mannes College the New School for Music under Michael Newman, and with sponsorship from the Augustine Guitar Scholarship Fund he earned a doctoral degree from Manhattan School of Music as a student of David Leisner. João is the head of the guitar department at the State University of New York-Purchase, and also teaches guitar at CUNY-Hunter College and New Jersey City University.
Brouwer: Triptico, Allegro
Castelnuovo-Tedesco: The Well-Tempered Guitars, Op. 199, Fugue No.21 in B-flat minor
Gismonti: Agua & Vinho
Rameau: Pieces de Clavecin, Les Cyclopes
Debussy: Golliwog's Cakewalk, from Children's Corner
Edu Lobo: Casa forte
Bach: Allemande, BWV 830
Marco Pereira: Bate-Coxa
Villa-Lobos: Bachianas Brasileiras No. 4, Preludio
Jacob do Bandolim: Noites Cariocas
- Orchestral Repertoire
Paulo Bellinati*** Concerto “Caboclo”
Leo Brouwer Concerto “The Book of Signs” for two guitars and strings
Mario Castelnuovo-Tedesco Concerto for two guitars and Orchestra Op.201
Egberto Gismonti 7 Anéis for two guitars and chamber orchestra
Antonio Vivaldi Concerto for Two Guitars and Orchestra
***Dedicated to the Brasil Guitar Duo
Sample program for 2018-19
Jean Philip Rameau Allemande** and Les Cyclopes**
Mario Castelnuovo-Tedesco Prelude and Fugue in C-Sharp minor
Franz Burkhart Toccata
Frederic Hand Still*
Leo Brouwer Sonata de Los Viajeros
(b.1939) Primer Viaje a tierras heladas
El retablo de las maravillas
Visita a Bach en Leipzig
Por el mar de las Antillas
Egberto Gismonti 4 Peças **
(b.1947) Sonhos de Recife; Forró; A Fala da Paixão; Karatê
*Dedicated to the Brasil Guitar Duo
**Arranged by João Luiz