| “Harpist Bridget Kibbey made it seem as though her instrument was waiting all its life to explode with the gorgeous colors and energetic figures she was getting from it.”
– The New York Times
"If ever I am able to summon the courage to write a piece for harp, it will be largely due to what I have learned from Bridget Kibbey about that terrifying and wonderful instrument."
- Milton Babbit
"...strong contender for this year's most distunguished debut CD."
- Time Out New York (regarding debut album ‘Love is Come Again’)
"The notable young harpist Bridget Kibbey...was featured in Debussy's Danse Sacree et Danse Profane. She began the piece with full-bodied, forthright tone colors and created a good sense of progression through smartly terraced dynamic changes, and exploration of pale, confiding tone colors."
- Philadelphia Inquirer
“Kibbey’s coloristic range laudably allowed her to chart the music’s layers, and to give a spatial sense foreground vs. background musical ideas.”
- Philadelphia Inquirer
"[Tenor Ian] Bostridge's harpist was Bridget Kibbey, virtuosic and musically acute."
- New York Sun
"Bridget Kibbey caught the various shades of glitter and menace in the music [Britten's Canticle No. 5]."
"...strong contender for this year's most distunguished debut CD."
- Time Out New York Magazine (debut album ‘Love is Come Again’)
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Time Out New York Review (PDF)
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Photos by Lisa-Marie Mazzucco |
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