| “Ms. Wolfson sang with luminous sound and impressively focused high notes. A keenly intelligent artist, she projected the words about as clearly as was possible in this small, acoustically resonant room.”
-The New York Times
“Wolfson called on finely honed breath control, working magic in sustained tones and tapered phrases”
-The Washington Post (Strathmore Hall)
“Sarah Wolfson stopped just short of overmugging as Despina, investing the character and her music with plenty of personality.”
- Aspen Times, 2007
"Sarah Wolfson [was] jaunty and seductive...[she] spoke the scene with the same tender urgency and dewy freshness brought to the aria ‘Con che soavita’ that followed."
- San Diego Union-Tribune (La Jolla Summerfest - "Love Past Cure")
“Wolfson, as good an actress as she is a singer, got her message across in the non-English songs by gestures, postures, body language and attitude.”
- Arkansas Democrat Gazette
“... In [a] well-cast production... Sarah Wolfson performed brilliantly as Celia”
- The Washington Post (Wolf Trap Opera – Volpone)
“ ... A fresh, young, well-trained voice... Ms. Wolfson gives one of the best performances as a sexy, sympathetic Zerlina; [she] produces the evening’s most show-stopping moment when she rips off her wedding gown at the climax of ‘La ci darem.’”
- The Washington Post
“Yet it was Sarah Wolfson who proved most impressive among the ensemble... The petite soprano made a quietly vicious Regina confronting her husband Horace in the dramatic excerpts from the play... her bright resplendent voice soared in the ‘Rain quartet’, and she brought keen dramatic point and intensity to her climatic scenes. Wolfson’s touching performance of the authentic ‘I’m going away’ compared favorably with that heard at the opera the previous evening.”
- Ft. Lauderdale Sun-Sentinel (The Florida Grand Opera – An Evening of Marc Blitzstein)
“beautifully sung and endearingly earnest performance."
- American Theater Web
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New York Times Review
Arkansas Democrat Gazette Review
The Juilliard Journal Review
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Photos by Janette Beckman |
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