During the Baroque period, composers explored new ways of writing for wind instruments, affording wind players an equal place with string players at the musical table. With wind soloists in every work, this program illuminates a golden musical era from a sonically refreshing and delightful perspective.

Program:

Antonio Vivaldi (1678–1741) — Concerto in G minor for Flute, Oboe, Bassoon, and Continuo, RV 103

Benedetto Marcello (1686-1739) — Concerto in C minor for Oboe, Strings, and Continuo

Giuseppe Torelli (1658–1709) — Sonata a cinque No. 1 in D major for Trumpet, Strings, and Continuo, G. 1

Carl Philipp Emanuel Bach (1714–1788) — Concerto in D minor for Flute, Strings, and Continuo, H. 484.1

Antonio Vivaldi (1678–1741) — Concerto in A minor for Bassoon, Strings, and Continuo, RV 497

Antonín Reichenauer (1694-1730) — Concerto in B-flat major for Oboe, Bassoon, and Continuo

Georg Philipp Telemann (1681–1767) — Sonata in D major for Trumpet, Strings, and Continuo, TWV 44:1

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